DC is awash in murals. Four new murals recently went up as part of an arts festival sponsored by Heineken. Ward 7 residents banded together to give a beloved restaurant a mural. And a filmmaker’s making a documentary about what murals mean to DC’s culture.
Located on Pennsylvania Avenue SE just east of the Anacostia River, Thai Orchid is the sole sit-down restaurant on a block with a beauty supply store, liquor store, and empty storefronts. Opened in 2010, the locally-owned spot quickly became a local gathering spot. On her blog Life in the Village, Veronica Davis raved about the food, while commenters expressed excitement that they could eat out without crossing the river.
To say “thank you,” neighbors want to beautify Thai Orchid and its block with a mural.
It’s a testament to a business that took a chance on Ward 7 and represents a continuing commitment to local businesses. Supporters applied for funding from MuralsDC, a partnership between the DC Department of Public Works, the DC Commission on the Arts and the Humanities, and nonprofit group Words Beats & Life that uses street art to enliven neighborhoods and combat graffiti.
They had commissioned an artist to create the mural, but a small group of residents put a halt to the project, arguing that District funds should be used for more worthy causes. Now, the community is raising money to move forward with the mural without public help.
But murals are still going up elsewhere in DC. Working with MuralsDC, Dutch brewing company Heineken sponsored four murals in Shaw and NoMa and installed them last month. It’s part of a larger series of murals Heineken commissioned in Atlanta and Miami. The DC installation coincided with the G40 Art Summit, a street art festival sponsored by the Art Whino gallery in National Harbor.
It makes sense that Heineken chose DC as a location, with its long history of murals celebrating its African American and Latino communities. Filmmaker Caitlin Carroll was so inspired by the city’s mural culture that she started working on a documentary about it called Painted City.
The film features art historian Perry Frank, who documents murals both past and present, and includes stories about murals that have been lost, highlighting the art’s fleeting nature. Community pride and beautification is a recurring theme in the documentary, and Carroll also highlights the work of local artists who work with residents and kids to beautify their neighborhoods.
Murals, along with public art in general, can let communities show neighborhood pride, inspire others, and provide hope. In an area struggling with unemployment, poverty, and crime, residents see art as a way to uplift and inspire.
As Carroll notes, “Every mural has a story.” The stories often have an end as murals disappear due to new development or get damaged in building repairs. But even in their temporary nature, they still serve as a form of community expression.